Paul Silverthorne

‘a virtuoso in sensitivity and technique’ The Times

Luciano Berio - Naturale for viola percussion and tape

London Sinfonietta :: Sonic Explorations, 3 October 2009

Boulezian blogspot (4 October 2009) - Mark Berry
”…Berio’s marvellous Naturale, for viola, percussion, and tape… with Berio, the music is rooted in actual, historical, human experience, …the extracts from Sicilian folksongs recorded on tape ought to be fundamental; in a sense they doubtless are. However, such was the strength of the performances from Paul Silverthorne and Sam Walton that the folksong elements seemed at least as much to emerge from the ‘purely musical’ – actually nothing of the sort – as vice versa. Walton reminded us that, whilst electronics have been one of the twentieth century’s great additions to the instrumental palette, so too has the increasing diversity of the percussionist’s palette. Tuned and untuned, rhythmically driving and dramatically punctuating: this truly drew one in to the composer’s extraordinary sound world. So did his interaction with Silverthorne – and that of both with the tape. One of Silverthorne’s many achievements was to remind us of the very particular qualities of the viola; here it proved a bridge between old and new,  West and East. Not only the virtuosity but the musical sensitivity with which Silverthorne performed provided a veritable masterclass; this could almost have been Bach, such were the security of performance and its probing nature. Alas, misfortune was to strike when one of his strings snapped. The hall’s evening schedule doubtless made it impossible to start again from the beginning, once the errant string had been replaced; instead, as the sound projectionists were instructed, the work resumed at figure J. I should have been more than happy to have heard the entire work twice, but it would not do to be ungrateful, having been treated to so rare and valuable an opportunity.”

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